Innocence: Haunted by the Future

Romance, Fantasy and Female Sexuality in Feeling Sexy

Notes on the Significance of Home & the Past in Radiance

Lolita: Neither Heard nor Seen

Taking Shakespeare Slam-Dancing: Re-Viewing William Shakespeare’s Romeo + Juliet

Irma Vep: La femme d’Est: Olivier Assayas Interviewed by Raffaele Caputo, Rolando Caputo, Clare Stewart

The ABC’s Race Around the World: Interview with John Safran

Writing on the Wall: Cantrill’s Filmnotes

Australian Gothic: To Have and To Hold

People Are the Opposite of Silence

Naivety in Nudity

On Our Selection

One Hand Clapping: The TV Documentaries of John Pilger

All That Is Left: The Early Life and Works of Cecil Holmes

Melrose Place

The Simpsons: Culture, Class and Popular TV

beDevilling

Romper Stomper

Thelma & Louise: Two Opinions

Cinemania: On the Road Again: Wim Wenders

An Angel at My Table

Monica Pellizzari: Between Two Worlds

Wake Up! It’s Science!

Teaching Film: A Hard Look at Soft Porn

Australian Film Industry Profile: Paul Cox

John Hurt on Nineteen Eighty-Four

Gandhi: Interview – Ben Kingsley

Visual Literacy: Are Pictures Worth a Thousand Words?

Heatwave

People in Media: Natalie Miller

Hard Knocks: A Hard, Modern, Oz Movie

Disabled People and the Movies

Empire Strikes Back

My Brilliant Career

Newsfront: The Aussie Battler

Heads You Win, Tails …

Aboriginals in Australian Feature Films

From the Dark Night: Thomas Keneally on Jimmie Blacksmith

Special Effects and Violence

Off Camera