Old Hands, New Breed: Mad Max: Fury Road and Evolving Gender Roles

Clarifying the Past: Joshua Oppenheimer’s The Look of Silence

In the Name of the Father: Indoctrination and Revolt in Ariel Kleiman’s Partisan

Laughing with Us: Black Comedy and Aboriginal Humour

Reeling in the Beast: The Anti-Russian, Russian Leviathan

Sweet Surrender: Damon Gameau’s That Sugar Film

Crocodile Dundee

Revenge of the Cheese Grater: Housebound and the Domestic Horror-Comedy

Winter of Discontent: The Pensive Theatre of Nuri Bilge Ceylan’s Winter Sleep

Refracting Ramingining: Still Our Country – Reflections on a Culture

The Eyes of a Child: Coming of Age in Whale Rider, Boy and Shopping

Jedda

Question Time: A Conversation with the Spierig Brothers About Predestination

Bloody Good Comedy: What We Do in the Shadows

Behind Closed Doors: Josh Lawson on The Little Death

Struggling with Silence: Rachel Perkins’ Black Panther Woman

Night Cries: A Rural Tragedy

Abstracts of Violence: Amiel Courtin-Wilson and Michael Cody’s Ruin

Against the Clock: Hugh Sullivan’s The Infinite Man

Modern Love: Hirokazu Koreeda’s Like Father, Like Son

The Patriarchy Laid Bare: Ukraine Is Not a Brothel

Something in the Dark: The Tale of Ruby Rose and the Tasmanian Gothic

Welcome to Charlie’s Country

Such Is My Love: Rhys Graham’s Galore

Millennial Gay: Josh Thomas’ Please Like Me

Opposite Ends of the Freeway: Upper Middle Bogan and the Mobility of Class Distinction

Skeletons in the Nation’s Cupboard: Warwick Thornton on Being an Aboriginal Artist

Umbilical Fears: Jennifer Kent’s The Babadook

Cinema’s About-turn: Tim Winton’s The Turning

Launching The Rocket: Beyond the Typical Australian Film

Dances with Genre: Mystery Road

Cinema Reincarnated: Apichatpong Weerasethakul and Thai Cinema’s Radical New Life

The Getting of Wisdom

Locating Lore: An Interview with Cate Shortland and Liz Watts

‘It’s in Films That I Try to Say Everything’: Andrei Tarkovsky on Women, Spirituality and the Autonomy of the Filmmaker

From Drag Queens to Best Men: An Interview with Stephan Elliott

The Slap: The Heavy Hand of a Hard-hitting Drama

A Sleep Like Death: Julia Leigh’s Sleeping Beauty

Homegrown Horror: The Ethics of Snowtown’s Suburban Nightmare

Notes from the Underground: Guerrilla Filmmaking in Australia