738 Articles
A Life in Chains: Servant or Slave and Aboriginal Subjugation
Sounding ‘Unstable Terrain’ in Peter Weir’s Picnic at Hanging Rock
Out of the Box: The Nintendo Switch
Living Archive: The Karrabing Film Collective at Berlinale 2017
Life After Reality TV
Witness Born: Joe Cinque’s Consolation, Adaptation and Embodied Film Theory
Players on the Stage: Asghar Farhadi’s The Salesman
Candid Camera: Ryūsuke Hamaguchi’s Happy Hour
Dog Day, Every Day: Gillian Leahy’s Baxter and Me and the Essay Film
Tale of a Luminary: The Shine Campaign
Dream Sequence: Rosemary Myers’ Girl Asleep and Cinematic Coming of Age
Down and Out for Down Under: Critiquing Race Representation in Abe Forsythe’s Satire
Fish in and Out of Water: The Embodied Erotics of Class and Sport in Barracuda
Haunted by Questions Unanswered: Rosie Jones’ The Family
Women’s Work: Respect and Remoteness in Pete Gleeson’s Hotel Coolgardie
Alvin Purple
Balancing Acts: Ivan Sen’s Goldstone and Outback Noir
On the Right Trek: Taika Waititi’s Hunt for the Wilderpeople and New Zealand Film
Boy, Interrupted: Teenage Kicks and Queer Authenticity
No Spandex Required: Cleverman, Indigenous Stories and the New Superhero
Welcoming Intercourse: Luke Warm Sex and the Importance of Sexual Discourse
Dancing Through Spaces: Stephen Page’s Spear and Distribution for Art Films
When Fire Turns to Frost: Decay and Detachment in Early Winter
Comedy Is Kin: The Family Law and Diverse Television
Sisters Doing It for Themselves: Deniz Gamze Ergüven’s Mustang
Their Time in Memorial: Nickolas Bird and Eleanor Sharpe’s Remembering the Man
Variations on a Theme: Pace and Perspective in Sue Brooks’ Looking for Grace
Isle-cross’d Lovers: Vanuatu’s Tanna and the South Pacific Film
Phase Change: Apichatpong Weerasethakul’s Cemetery of Splendour
The Tyranny of the Unspoken: The Silences, Autoethnography and Mental Health
The Big Steal
What Lies Beneath: Death and Masculinity in Grant Scicluna’s Downriver
You Reap What You Sew: Jocelyn Moorhouse’s The Dressmaker
Culture, Interrupted: Molly Reynolds’ Another Country
Beautiful Women and No Mirrors: Gillian Armstrong’s Women He’s Undressed
Queer Controversy: Roger Ward and Sean Myers on The Set
Telling Our Love Story: AIDS, Adaptation and Neil Armfield’s Holding the Man
After Priscilla: The Queer Screen Twenty-one Years On
