The Pain of Purity: Abuse and Collusion in Vivian Qu’s Angels Wear White
Words Simran Hans
739 Articles
The Pain of Purity: Abuse and Collusion in Vivian Qu’s Angels Wear White
Salt of the Earth: Virtue and Vengeance in Mohammad Rasoulof’s A Man of Integrity
Words Anthony Carew
Turning the Lens: Looking and Reliving in Hong Sang-soo’s Claire’s Camera
Words Dave Crewe
States of Loneliness: Proximity and Distance in On the Beach at Night Alone
Words David Heslin
Cutting Through the Chanbara Film: Takashi Miike’s Blade of the Immortal
Words James Robert Douglas
Singing One’s Story: Keeping Custom and Country in Westwind: Djalu’s Legacy
Words Lauren Carroll Harris
‘Don’t Do It Again’: Hearing, Seeing and Deep Listening in After the Apology
Words Aimee Knight
Changing Tides: Karina Holden’s Blue, the Enviro-doc and Conservationism
Words Glenn Dunks
High Price Tag: Art and Absolution in Have You Seen the Listers?
Words Anthony Carew
Too Far North: The Self-serving Cinema Vérité of Atlantis, Iceland
Words Kylie Maslen
Living in America: Expression, Representation and Kate Hickey’s Roller Dreams
Words Sarah Ward
The Art of Meta-morphosis: Julian Rosefeldt’s Manifesto
Words Gabrielle O'Brien
Room to Move: Amiel Courtin-Wilson’s The Silent Eye
Words Nicholas Godfrey
Making Waves in a Man’s World: Jane Campion’s Women in The Piano and Top of the Lake: China Girl
Words Sam van Zweden
Against the Grain: The Documentary Sensibility of Sue Brooks’ Fiction Filmmaking
Words Steve Thomas
Zero Tolerance for Screen Industry Sexual Harassment
Words Rochelle Siemienowicz
Meta Essays: Critics’ Choice IV at the International Film Festival Rotterdam 2018
Words Tara Judah
Love Is in the Airwaves – and It’s Not Always Pretty
Words Liz Giuffre
Game of Throwns: Government Inaction on the Senate Inquiry
Words Dan Golding
Bad Blood and Bitterness: Colonisation and the Western in Warwick Thornton’s Sweet Country
Words Nicholas Godfrey
What Will You Do with Your OtherLife?: Sci-fi, Subjectivity and Technology
Words Mel Campbell
Outback Outbreak: Yolanda Ramke and Ben Howling on Cargo and the Zombie Film
Words Briony Kidd
Blood Feuds and Bloodlands: Steven Kastrissios’ Albanian Horror-Fantasy
Words Alexandra Heller-Nicholas
Boys Will Be Boys: Horror Tropes and Male Privilege in Chris Peckover’s Better Watch Out
Words Kate Robertson
Seeing Double: Cinematic Twins in Rabbit and That’s Not Me
Words Gabrielle O'Brien
Sci-fi on a Shoestring: Ché Baker and Sarah Mason on Blue World Order
Words Oliver Pfeiffer
Into the Light: Alex Proyas’ Dark City Two Decades On
Words John Catania
Lost in the Woods: Greg McLean’s Jungle
Words Glenn Dunks
Swapping Goats for Snakes: Australian Survivor, Narrative Complexity and Audience Expectations
Words Stuart Richards
Scars of Empathy: The ABC’s Pulse and the Medical Drama
Words Kylie Maslen
Making Peace: Resignation, the Road Movie and Kirsten Tan’s Pop Aye
Words Dave Crewe
Inside and Out: Afghan Life in Shahrbanoo Sadat’s Wolf and Sheep
Words Sarah Ward
Flight of Fancy: Falconry, Affluence and Yuri Ancarani’s The Challenge
Words Anthony Carew
Songlines on Screen: Naina Sen’s The Song Keepers and Aboriginal Histories
Words Felicity Ford
A Story of Man and Country: Sera Davies’ Namatjira Project
Words Thomas Redwood
Ghost House: Rewriting the ‘Haunted’ Narrative in Florian Habicht’s Spookers
Words Stephen A Russell
Life Laid Bare: Sascha Ettinger Epstein’s The Pink House and the Sex Industry
Words Lauren Carroll Harris
Band Apart: Music, Memory and Kriv Stenders’ The Go-Betweens: Right Here
Words Jasmine Crittenden
The Picture Show Man
Words Adrian Danks
The Streaming Arms Race: Original VOD Programming in Australia
Words Cameron Williams