Australian and New Zealand Cinema
256 articles
The Complexities of Confinement: Gender, Abuse and Cate Shortland’s Berlin Syndrome
Silent Scars: Seeking Restitution in Tori Garrett’s Don’t Tell
Live Performance: Acting and Adaptation in Alison Maclean’s The Rehearsal
Raising the Barre: Dance Academy on the Small and Silver Screen
Double Trouble: Alice Foulcher and Gregory Erdstein on That’s Not Me
Through the Window: The Trap of Curiosity in Rachel Perkins’ Jasper Jones
Lady Killers: Hounds of Love, Horror and Violence Against Women
Body Swap: Pulse and the Complications of Gender, Sexuality and Disability.
Dog Years: Reticence and Reform in Kriv Stenders’ Red Dog: True Blue
Down Under Desperado: The Legend of Ben Hall and the Bushranger Film
Horror and Gore, Honour and Glory: Hacksaw Ridge and the War Film
Witness Born: Joe Cinque’s Consolation, Adaptation and Embodied Film Theory
Dream Sequence: Rosemary Myers’ Girl Asleep and Cinematic Coming of Age
Down and Out for Down Under: Critiquing Race Representation in Abe Forsythe’s Satire
Balancing Acts: Ivan Sen’s Goldstone and Outback Noir
On the Right Trek: Taika Waititi’s Hunt for the Wilderpeople and New Zealand Film
Boy, Interrupted: Teenage Kicks and Queer Authenticity
Dancing Through Spaces: Stephen Page’s Spear and Distribution for Art Films
When Fire Turns to Frost: Decay and Detachment in Early Winter
Variations on a Theme: Pace and Perspective in Sue Brooks’ Looking for Grace
Isle-cross’d Lovers: Vanuatu’s Tanna and the South Pacific Film
What Lies Beneath: Death and Masculinity in Grant Scicluna’s Downriver
You Reap What You Sew: Jocelyn Moorhouse’s The Dressmaker
Old Hands, New Breed: Mad Max: Fury Road and Evolving Gender Roles
In the Name of the Father: Indoctrination and Revolt in Ariel Kleiman’s Partisan
Revenge of the Cheese Grater: Housebound and the Domestic Horror-Comedy
Question Time: A Conversation with the Spierig Brothers About Predestination
Bloody Good Comedy: What We Do in the Shadows
Behind Closed Doors: Josh Lawson on The Little Death
Abstracts of Violence: Amiel Courtin-Wilson and Michael Cody’s Ruin
Against the Clock: Hugh Sullivan’s The Infinite Man
Welcome to Charlie’s Country
Such Is My Love: Rhys Graham’s Galore
Umbilical Fears: Jennifer Kent’s The Babadook
Cinema’s About-turn: Tim Winton’s The Turning
Launching The Rocket: Beyond the Typical Australian Film
Dances with Genre: Mystery Road
Locating Lore: An Interview with Cate Shortland and Liz Watts
