Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine Words Dave Crewe 04 May 2020 Australian and New Zealand CinemaIssue No. 204
‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence Words Mel Campbell 04 May 2020 Australian and New Zealand CinemaIssue No. 204
The Pen Is Mightier than the Gun: Justin Kurzel’s True History of the Kelly Gang and Punk Historiography Words Alexandra Heller-Nicholas 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room Words Laurence Barber 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters Words Mel Campbell 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother Words Dave Crewe 28 January 2020 Australian and New Zealand CinemaIssue No. 203
The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones Words Hanna Schenkel 28 January 2020 Australian and New Zealand CinemaIssue No. 203
The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy Words Stephen A Russell 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies Words Oliver Pfeiffer 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Pantomime of Violence: Gender and Outrage in Mirrah Foulkes’ Judy & Punch Words Anthony Carew 28 October 2019 Australian and New Zealand CinemaIssue No. 202
Poetry in Action: Racism and Resistance in Partho Sen-Gupta’s Slam Words Stephen A Russell 28 October 2019 Australian and New Zealand CinemaIssue No. 202
Oceans Within Us: Eight Perspectives on the Pacific in Vai Words Amanda Barbour 28 October 2019 Australian and New Zealand CinemaIssue No. 202
Troubled Bubble: The Aspirational Milieu of Rachel Ward’s Palm Beach Words Travis Johnson 28 October 2019 Australian and New Zealand CinemaIssue No. 202
Out of the Trenches: Kriv Stenders on Danger Close: The Battle of Long Tan and Revisiting History Words Oliver Pfeiffer 28 October 2019 Australian and New Zealand CinemaIssue No. 202
Hierarchies of Horror: The Violent Refrains of Jennifer Kent’s The Nightingale Words Travis Johnson 05 August 2019 Australian and New Zealand CinemaIssue No. 201
Love Is in the Air: Wayne Blair’s Top End Wedding and the Rom-com’s New Direction Words Jane Howard 05 August 2019 Australian and New Zealand CinemaIssue No. 201
Girls Behaving Badly: Love, Honour and Disobedience in Sophie Hyde’s Animals Words Aimee Knight 05 August 2019 Australian and New Zealand CinemaIssue No. 201
Sin City: Diaspora, Displacement and Matthew Victor Pastor’s Melodrama / Random / Melbourne Words Nicholas Godfrey 05 August 2019 Australian and New Zealand CinemaIssue No. 201
Arid Visions: Reflections in the Dust, Gendered Violence and Experimental Cinema Words Dave Crewe 05 August 2019 Australian and New Zealand CinemaIssue No. 201
Kiss Me Deadly: Robbie Studsor on Blowing a Burning Kiss to Film Noir Words Oliver Pfeiffer 05 August 2019 Australian and New Zealand CinemaIssue No. 201
Terror, Tragedy, Truth: Anthony Maras’ Hotel Mumbai Words Felicity Ford 06 May 2019 Australian and New Zealand CinemaIssue No. 200
Breaching Bounds: The Confronting Body in Miranda Nation’s Undertow Words Elizabeth Flux 06 May 2019 Australian and New Zealand CinemaIssue No. 200
Bird’s-eye View: Childhood, Grief and Community in Emu Runner Words Aimee Knight 06 May 2019 Australian and New Zealand CinemaIssue No. 200
Tearing Out a New Leaf: Book Week and the Unlikeable Protagonist Words Mel Campbell 06 May 2019 Australian and New Zealand CinemaIssue No. 200
In the Crease: Self-referential Storytelling in Ted Wilson’s Under the Cover of Cloud Words Leah Jing 06 May 2019 Australian and New Zealand CinemaIssue No. 200
The Pelican Brief: The Shallow Reflections of Shawn Seet’s Storm Boy Words Jake Wilson 29 January 2019 Australian and New Zealand CinemaIssue No. 199
Dark Dresses, Problematic Pleasures: Mobility and Nostalgia in Bruce Beresford’s Ladies in Black Words Mel Campbell 29 January 2019 Australian and New Zealand CinemaIssue No. 199
Paint and Suffering: The Delicate Art of Acute Misfortune Words Elizabeth Flux 29 January 2019 Australian and New Zealand CinemaIssue No. 199
On Song: Navigating the Past in Ben Hackworth’s Celeste Words Stephen A Russell 29 January 2019 Australian and New Zealand CinemaIssue No. 199
Redemption, Restoration, Reclamation: Benjamin Gilmour on Jirga Words Sarah Ward 29 January 2019 Australian and New Zealand CinemaIssue No. 199
Different Ball Game: Damian Callinan on Sport, Community and The Merger Words Kylie Maslen 29 January 2019 Australian and New Zealand CinemaIssue No. 199
A Neoliberal Spin: Management and Masculinity in Stephen Mccallum’s 1% Words Kit MacFarlane 22 October 2018 Australian and New Zealand CinemaIssue No. 198
‘Permission to Operate Independently’: Upgrade and the Body-machines of Action Cinema Words Mel Campbell 22 October 2018 Australian and New Zealand CinemaIssue No. 198
Fraternity Test: Watching Brothers’ Nest in the Shadow of Kenny Words Dave Crewe 22 October 2018 Australian and New Zealand CinemaIssue No. 198
Landing Success: Luke Sparke and Carly and Carmel Imrie on Occupation Words Oliver Pfeiffer 22 October 2018 Australian and New Zealand CinemaIssue No. 198
Getting a Second Opinion: Mairi Cameron on Truth and Trickery Words Elizabeth Flux 22 October 2018 Australian and New Zealand CinemaIssue No. 198
Once upon a Time in the West: Suburbia and Identity in Jason Raftopoulos’ West of Sunshine Words Glenn Dunks 22 October 2018 Australian and New Zealand CinemaIssue No. 198
Muddied Waters: Risk and Reflection in Simon Baker’s Breath Words Dave Crewe 06 August 2018 Australian and New Zealand CinemaIssue No. 197
Heavy Here and Now: Alena Lodkina’s Strange Colours Words Adrian Martin 06 August 2018 Australian and New Zealand CinemaIssue No. 197
Burning Down the House: Winchester and the Truth About Ghosts Words Elizabeth Flux 06 August 2018 Australian and New Zealand CinemaIssue No. 197