‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence

First, Do No Harm: The Treatment of Refugees in Against Our Oath

Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis

All Talked Out: Mental Health and Masculinity in Genevieve Bailey’s Happy Sad Man

Need for Speed: Risk and Reward in Dylan River’s Finke: There and Back

The Drive to Succeed: Outrunning the Legacy of Brabham

Critical Hits: Australian Independent Videogames Today

Envisioned Presences: Future Dreaming, Passenger and the Continuing Evolution of Virtual Reality

Poetry of the Night: The Noir Trappings Of Diao Yinan’s The Wild Goose Lake

Multiplayer Mode: Loss and Growing Up in Makoto Nagahisa’s We Are Little Zombies

Cinema Science: Using the Force of Star Wars

The Guitar Gently Weeps: Death and Memory in Coco

We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King

Fighting the Future: Risk, Resistance and Rebellion in Stan’s The Commons

Love Without Limits: Disability, Illness and Romance in Standing Up for Sunny and Cerulean Blue

Howling III: The Marsupials

Storytelling in a Time of Evolution: Screen Forever 2019

Gone for Good: Putting a Full Stop on The Good Place

Endgame: Six Years of Reporting on the Australian Videogames Industry

Hidden Treasures: Adolescent Adventures in Dora and the Lost City of Gold: A live-action reboot of the popular children’s TV series Dora the Explorer, James Bobin’s film ages up its protagonists and places them within a high-stakes adventure narrative. By pairing familiar characters with high school dramas and issues surrounding exploration and cultural sensitivity, the film provides plenty of conversation starters for an upper primary and junior secondary audience who may have enjoyed the show in younger years, writes Carolyn Leslie.

The Pen Is Mightier than the Gun: Justin Kurzel’s True History of the Kelly Gang and Punk Historiography

Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room

Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters

Artificial Inheritance: Robotics and Responsibility in Grant Sputore’s I Am Mother

The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones

The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy

Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies

Twisted Sisters: Invention and Isolation in Foxtel’s Lambs of God

Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series

Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection

Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling

Birth Control: Nanfu Wang and Jialing Zhang’s One Child Nation

A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream

History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili

Sexual Healing: Feminism, Porn and Self-acceptance in Morgana

Ghost in the Algorithm: Justin Krook’s Machine and Advancing AI

Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks

Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place

Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty

Sons of Matthew