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What Lies Beneath: Death and Masculinity in Grant Scicluna’s Downriver
Boys Will Be Boys: Horror Tropes and Male Privilege in Chris Peckover’s Better Watch Out
Pride in Protest: The ABC’s Riot and the Birth of Mardi Gras
Landscape of Rage: Men and Women in PS Vinothraj’s Pebbles
Obstructed Progress: Ai Weiwei’s Human Flow and the Global Refugee Crisis
Critical Failure: The ABC’s Screen Time
Keeping Country Alive: Dreaming, Decolonisation and the Karrabing Film Collective
Surf’s Up: Watching Web Series
Student Films Take Centre Stage in the AFTRS Documentary Showcase
Not Another Dying Girl: How Shannon Murphy’s Babyteeth Challenges a Weary Trope
Down Under Desperado: The Legend of Ben Hall and the Bushranger Film
A God Is Born: Religion and the Absurd in Ritwik Pareek’s Dug Dug
Once upon a Time in the West: Suburbia and Identity in Jason Raftopoulos’ West of Sunshine
Welcome to Ugly Country: Nostalgia and Nationalism in Stephan Elliott’s Swinging Safari
ATFAV’s Conference – Seminar on Film Study and Film Making at Marysville, September 1974
The Home Song Stories: Making It Real
Homegrown Horror: The Ethics of Snowtown’s Suburban Nightmare
Isle-cross’d Lovers: Vanuatu’s Tanna and the South Pacific Film
Working-class Heroes: ABC’s The Heights and Social Stratification
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Peter Watkins and The War Game: An Interview with the Director from ATFAV’s 3CR Radio Program
My Brilliant Career
The Eyes of a Child: Coming of Age in Whale Rider, Boy and Shopping
Seeing Double: Cinematic Twins in Rabbit and That’s Not Me
Struggling with Silence: Rachel Perkins’ Black Panther Woman
Nurturing Development: VicScreen’s Indie Games Showcase
A Response to ‘History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili’
Inspiring Passion and Hatred: Jane Campion’s In the Cut
Caught on Camera: Surveillance and Abstraction in Jonathan Ogilvie’s Lone Wolf
Glass Half Full: Women in Games and the Code Breakers Exhibition
Hard Knocks: A Hard, Modern, Oz Movie
Where the Heart Is: Shifting Frontiers in Here Out West
Moviebox: Instant Film Shows
The Guitar Gently Weeps: Death and Memory in Coco
Burnishing an Icon: Madeleine Martiniello on Palazzo di Cozzo
Speaking in Riddles: Sex, Comedy and Subtitles in Armağan Ballantyne’s Nude Tuesday
Unguided Tour: Drifting Life in Adam C Briggs’ Paris Funeral, 1972
The Script Problem in Australian Films & Television
