‘It’s in Films That I Try to Say Everything’: Andrei Tarkovsky on Women, Spirituality and the Autonomy of the Filmmaker

Australian Gothic: Greg McLean on the Genesis of Wolf Creek

The Marvellous Journey: A Talk by John Flaus at the Science Fiction Eastercon

The Sentimental Bloke

Irma Vep: La femme d’Est: Olivier Assayas Interviewed by Raffaele Caputo, Rolando Caputo, Clare Stewart

Floating Life

Storm Boy

Tale of a Luminary: The Shine Campaign

Bliss

The Choice Between Tweedledum and Tweedledee: Australian Media Coverage of the 2007 Federal Election Campaign

Cinema Science: Hitting New Speeds in Top Gun: Maverick

Sons of Matthew

The Man from Snowy River

War Stories: Media Coverage of the Russian Invasion of Ukraine

Love Without Limits: Disability, Illness and Romance in Standing Up for Sunny and Cerulean Blue

Black Robe

Pandemic Paradox: Navigating Technology in the Time of COVID-19

Long Way Home: Ben Lawrence and Gabriel Shipton on Ithaka and the Campaign to Free Julian Assange

Monkey Grip

Australia Daze

The Big Steal

Warwick Thornton and Kath Shelper on Making Samson and Delilah

Celia

Witches and Faggots, Dykes and Poofters

Fast and Furious Filmmaking: YouTube’s Prospects for Budding and Veteran Screen Content Producers

On Our Selection

Bearing Witness: Black Lives Matter Protests as Media, and Mediated, Event

Flies on the Locker-room Walls: The Managed Candour of Making Their Mark

Strictly Ballroom

Eternity

Proof

Under Difficult Conditions: Jeff Daniels on making The 10 Conditions of Love

Counterfeit Images: A History of Blackface on Australian Television

Thelma & Louise: Two Opinions

Men Behaving Badly: Don’s Party

From the Dark Night: Thomas Keneally on Jimmie Blacksmith

Australian Film Industry Profile: Paul Cox

Flirting

Glacial Contemplations: The Meditative Films of Nuri Bilge Ceylan

Cinema’s New Waves: An Interview with Albie Thoms