Sci-fi on a Shoestring: Ché Baker and Sarah Mason on Blue World Order Words Oliver Pfeiffer 29 January 2018 Spotlight on Genre FilmIssue No. 195
Shooting for the Stars: Luke Sparke’s Occupation: Rainfall and the Elusive Australian Blockbuster Words David Michael Brown 10 May 2021 Australian and New Zealand CinemaIssue No. 208
Representing Resistance: Ayse Toprak’s Mr Gay Syria and LGBTQIA+ Rights Words Gabrielle O'Brien 06 August 2018 Focus on Asia and the Middle EastIssue No. 197
Shared Suffering: Remembering the Tokyo Firebombing in Adrian Francis’ Paper City Words Kenta McGrath 29 November 2021 DocumentaryIssue No. 210
Night Cries: A Rural Tragedy Words Deane Williams 27 January 2015 The NFSA Restores CollectionIssue No. 183
Confinement and Camaraderie: Girls Behind Bars in Starless Dreams and Sunless Shadows Words Anthony Carew 10 May 2021 Focus on Asia and the Middle EastIssue No. 208
A Little Less Conversation: The Convenient Omissions of Baz Luhrmann’s Elvis Words Greta Parry 29 November 2022 Australian and New Zealand CinemaIssue No. 214
Stoking the Fire: The Rousing Fictions of RRR Words Steven Aoun 27 February 2023 Screen EducationIssue No. 215
A Dense Web of Relationships: How Film Culture Sustains the Screen Industries Words Anne Rutherford 05 August 2019 Industry PerspectivesIssue No. 201
All You Can Be: Self-actualisation, Self-acceptance and Disability in Paul Barakat’s Kairos Words Hanna Schenkel 19 October 2020 Australian and New Zealand CinemaIssue No. 206
The Rules of the Game: Squid Game as Social Allegory Words Steven Aoun 28 February 2022 Screen EducationIssue No. 211
Reframing the Past: The Emotional Histories of Raoul Peck and Adam Curtis Words Steven Aoun 29 November 2021 Screen EducationIssue No. 210
Generic Interventions: Tropes and Topicality in the Films of Bong Joon-ho Words Anthony Carew 23 October 2017 Focus on Asia and the Middle EastIssue No. 194
Roles to Play: Games, Learning and Child Development in Bluey Words Steven Aoun 18 January 2024 FreeCritical ViewsIssue No. 216
Crooked Histories: Underbelly and Australian Self-mythologisation Words Dave Crewe 06 May 2019 Beyond the Big ScreenIssue No. 200
Obstacle Course: Increasing Women’s Participation in Australian Film and Television Words Sally Storey 22 October 2018 Industry PerspectivesIssue No. 198
Chosen Land: Affection and Ambivalence in Nadav Lapid’s Films About Israel Words Anthony Carew 28 October 2019 Focus on Asia and the Middle EastIssue No. 202
Artificial Rain: Control, Precision and Reality in Anthony Chen’s Wet Season Words Kenta McGrath 10 May 2021 Focus on Asia and the Middle EastIssue No. 208
Making a Scene: Telling Stories and Engaging Audiences on TikTok Words Kristina Chapman 29 November 2022 Screen EducationIssue No. 214
The Political Is Personal: Helen Reddy and the Generational Politics of I Am Woman Words Alexandra Heller-Nicholas 04 May 2020 Australian and New Zealand CinemaIssue No. 204
Solo Act: Music and the Man’s World in Janine Hosking’s Knowing the Score Words Greta Parry 01 February 2024 FreeDocumentaryIssue No. 216
The Streaming Arms Race: Original VOD Programming in Australia Words Cameron Williams 29 January 2018 Industry PerspectivesIssue No. 195
Dreams and Nightmares: The Animated Worlds of Satoshi Kon Words Anthony Carew 03 August 2020 Focus on Asia and the Middle EastIssue No. 205
That Joke Isn’t Funny Anymore: Comedy, Controversy and the Changing Audience Words Myke Bartlett 07 December 2009 Beyond the Big ScreenIssue No. 163
Quiet Rage: The Fire and Finesse of Lee Chang-dong’s Cinema Words Anthony Carew 06 May 2019 Focus on Asia and the Middle EastIssue No. 200
Killing the Host: Class and Complacency in Bong Joon-ho’s Parasite Words Laurence Barber 28 October 2019 Focus on Asia and the Middle EastIssue No. 202
Innocence: Haunted by the Future Words John Flaus 02 April 2001 Australian and New Zealand CinemaIssue No. 126
A Whole New World: Metaverse as Fairytale in Belle Words Anthony Carew 30 May 2022 Screen EducationIssue No. 212
Movies, Life, and Education Words Bill Collins 01 October 1967 FreeMedia EducationIssue No. 11 – Issue No. 20 (Film Appreciation Newsletter vol. 2)
Reeling in the Beast: The Anti-Russian, Russian Leviathan Words Greg Dolgopolov 27 July 2015 Focus on Asia and the Middle EastIssue No. 185
Brave New Sector: An Industry Adapts Words Rochelle Siemienowicz 10 May 2021 Scope: Screen Industry ViewsIssue No. 208
Homeless, Aimless: Alkinos Tsilimidos’ Tom White Words Dave Hoskin 14 June 2004 Australian and New Zealand CinemaIssue No. 141
At the Threshold of Revival: Australian Cinema and the Moment of 2000 Weeks Words Peter Galvin 30 August 2021 Critical ViewsIssue No. 209
Reflections on a Shared History: Monica Zanetti on Ellie & Abbie (& Ellie’s Dead Aunt) Words Stephen A Russell 25 January 2021 Australian and New Zealand CinemaIssue No. 207
Things to Come: The Wandering Earth and Chinese Cinema’s Growing Predominance Words Mike Walsh 05 August 2019 FreeFocus on Asia and the Middle EastIssue No. 201
Assembling the Debris: Russia 1985–1999: TraumaZone Words Alex Gendler 29 July 2023 Screen EducationIssue No. 216
Untrustworthy Images, Disguised Fictions: Kitty Green’s Casting JonBenet Words Jesse Thompson 23 October 2017 DocumentaryIssue No. 194