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Howling III: The Marsupials
Suburban Fragments: Community and Bricolage in Tim Barretto’s Bassendream
Shame
Love Is in the Air: Wayne Blair’s Top End Wedding and the Rom-com’s New Direction
The Picture Show Man
Radiance
Out of the Frying Pan: Screen Australia and the Producer Offset
‘The Show Must Go On’: Transgression and the Carnivalesque in Moulin Rouge!
Painting a Motion Picture: An interview with Shaun Tan
Rocking the Foundations
Ten Canoes
Cinema Science: Aerodynamic Instruction and Paper Planes
Starstruck
Millennial Gay: Josh Thomas’ Please Like Me
Fraternity Test: Watching Brothers’ Nest in the Shadow of Kenny
Telling Our Love Story: AIDS, Adaptation and Neil Armfield’s Holding the Man
Alien in Australia: Science Fiction, Refugee Politics and The Stranger
Crocodile Dundee
Intimacy and Betrayal: A Study Guide on The Hunting
‘It’s a Joke, Sir’: Chris Lilley’s comedy of character, performance and taboo
Hidden Treasures: Adolescent Adventures in Dora and the Lost City of Gold: A live-action reboot of the popular children’s TV series Dora the Explorer, James Bobin’s film ages up its protagonists and places them within a high-stakes adventure narrative. By pairing familiar characters with high school dramas and issues surrounding exploration and cultural sensitivity, the film provides plenty of conversation starters for an upper primary and junior secondary audience who may have enjoyed the show in younger years, writes Carolyn Leslie.
World Without a Map: The Flattening Perspective of Jennifer Peedom’s River
Time of Transition: First Day and Being Seen on Screen
The Electric Artist
Borrowed Time: The Life and Death of the Video Store
Critical Hits: Australian Independent Videogames Today
Hard Times and Ordinary Lives: Warehouse Work on the Big Screen
Film Criticism … Somebody’s Got to Do It
Visual Literacy: Are Pictures Worth a Thousand Words?
Journey into Darkness: Justin Kurzel and Shaun Grant on Nitram
Top Dogs: The ABC’s Bluey and Australian Children’s Animation
Heading for Deep Water: Interrogating Detention in Gabrielle Brady’s Island of the Hungry Ghosts
Adelaide Dreams Electric: Immersive Possibilities at Adelaide Fringe
Life on Show: The Ethical Quandaries of Jason van Genderen’s Everybody’s Oma
Capricious Childhood: Confronting Family Life in John Sheedy’s H Is for Happiness
‘Let’s Go Shopping!’: Tony Barber and Philip Brady on the Golden Age of Australian Game Shows
John Hurt on Nineteen Eighty-Four
Creation in the Cutting Room: Jill Bilcock on the Art of Film Editing
