Legacy of a Law-breaker: Andrew Dominik’s Chopper Turns Twenty

Need for Speed: Risk and Reward in Dylan River’s Finke: There and Back

Taking Shakespeare Slam-Dancing: Re-Viewing William Shakespeare’s Romeo + Juliet

Cut-up Country: The Polemics of Presentation in [Censored] and Terror Nullius

Telling Mythical Tales: A Conversation with Jeremy Sims about Last Train to Freo

Sounding ‘Unstable Terrain’ in Peter Weir’s Picnic at Hanging Rock

Dancing Through Spaces: Stephen Page’s Spear and Distribution for Art Films

Embracing Identity: Gender-diverse Storytelling and Authenticity in Max Currie’s Rūrangi

Swapping Goats for Snakes: Australian Survivor, Narrative Complexity and Audience Expectations

Picture Partnership: Co-productions and the Australian Screen Industries

Hitting the Right Note: Janine Hosking’s The Eulogy and the Perils of Praise

Out of Water: Genre, Turkish Cinema and Emin Alper’s Burning Days

Cinema Science: Plumbing the Depths of Avatar: The Way of Water

Hitting Home: Violence and Morality in Mr Inbetween

Mining the Past: Mythmaking and Identity in New Gold Mountain

Fish in and Out of Water: The Embodied Erotics of Class and Sport in Barracuda

The Mountain Will Not Move: Rolf de Heer’s The Survival of Kindness

High Price Tag: Art and Absolution in Have You Seen the Listers?

The ABC’s Race Around the World: Interview with John Safran

Candid Camera: Ryūsuke Hamaguchi’s Happy Hour

Turning the Tables: Observing and Seeing in Chef Antonio’s Recipes for Revolution

A Sleep Like Death: Julia Leigh’s Sleeping Beauty

Funny Women on Demand: Australian Female Comedians on Screen

You and Me Against the World: Revisiting Puberty Blues

Scars of Empathy: The ABC’s Pulse and the Medical Drama

Breaking Point: Grief and Rebirth in Matthew J Saville’s Juniper

Soaring with Her Own Wings: Em Baker on Marriage, Movie-making and I Am No Bird

Against the Grain: The Documentary Sensibility of Sue Brooks’ Fiction Filmmaking

Raising the Barre: Dance Academy on the Small and Silver Screen

On Song: Navigating the Past in Ben Hackworth’s Celeste

Seeds of Change: Damon Gameau’s 2040 and Sustainable Futures

No Turning Back: Temporality, Displacement and Desire in Goran Stolevski’s Of an Age

Trouble in the Brotherhood: The Devil’s Playground Revisited

Cinema Science: Coronavirus Through the Lens of Contagion

Sacred Arts: Devotion and Disillusionment in Chaitanya Tamhane’s The Disciple

On the Right Trek: Taika Waititi’s Hunt for the Wilderpeople and New Zealand Film

Mother’s Apron Strings: Operation Buffalo and the Discomfort with Australian History

Dance of Despair: Israel, Trauma and Samuel Maoz’s Foxtrot

Mirth and Malady: Homecoming Queens and Depicting Chronic Illness