No Place to Run: Inescapable Politics in Mounia Akl’s Costa Brava, Lebanon Words Anthony Carew 29 November 2022 Focus on Asia and the Middle EastIssue No. 214
Beyond Borders: Translation and Cultural Authenticity in Hirokazu Koreeda’s The Truth Words Kenta McGrath 03 August 2020 Focus on Asia and the Middle EastIssue No. 205
All Talked Out: Mental Health and Masculinity in Genevieve Bailey’s Happy Sad Man Words Benjamin Riley 04 May 2020 DocumentaryIssue No. 204
Mum’s Not the Word: Identity and Autonomy in Curtis Vowell’s Baby Done Words Mel Campbell 25 January 2021 Australian and New Zealand CinemaIssue No. 207
Into the Void: Stop the Boats and Refugee Activism on Screen Words Matilda Dixon-Smith 28 October 2019 DocumentaryIssue No. 202
Howls from the Underground: Persecution, Protest Music and Travis Beard’s RocKabul Words Lauren Carroll Harris 29 January 2019 DocumentaryIssue No. 199
After Priscilla: The Queer Screen Twenty-one Years On Words Glenn Dunks 19 October 2015 Spotlight on Queer FilmIssue No. 186
Dry Fidelity: Robert Connolly’s The Dry and Big-screen Crime Adaptation Words Mel Campbell 10 May 2021 Australian and New Zealand CinemaIssue No. 208
The Cost of Country: Capital and Ownership in Undermined: Tales from the Kimberley Words Rochelle Siemienowicz 06 May 2019 DocumentaryIssue No. 200
House of Horrors: Ageing and Loss in Natalie Erika James’ Relic Words Josh Nelson 19 October 2020 Australian and New Zealand CinemaIssue No. 206
Power and the Personality: Ray Argall’s Midnight Oil: 1984 Words Cavan Gallagher 22 October 2018 DocumentaryIssue No. 198
The Lingering Melodies of Trauma: Ben Lawrence’s Hearts and Bones Words Hanna Schenkel 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Shoot First, Ask Questions Later: Selina Miles’ Martha: A Picture Story Words Stephen A Russell 03 August 2020 DocumentaryIssue No. 205
Comedy Is Kin: The Family Law and Diverse Television Words Gillian Terzis 08 August 2016 Beyond the Big ScreenIssue No. 189
Alone Together: Gregor Jordan on Adapting the Intangible in Dirt Music Words Stephen A Russell 19 October 2020 Australian and New Zealand CinemaIssue No. 206
History Is Never Finished: Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili Words Jessica Friedmann 28 January 2020 DocumentaryIssue No. 203
Finding the Rhythm: Ambition and Responsibility in Dingo Words Cavan Gallagher 29 November 2022 Critical ViewsIssue No. 214
Bad Influence: Hannah Barlow and Kane Senes on Balancing Horror and Social Media Satire in Sissy Words Stephen A Russell 29 November 2022 FreeAustralian and New Zealand CinemaIssue No. 214
Loved Back to Life: Hope, Community and Policy Failures in Life After the Oasis Words Hanna Schenkel 04 May 2020 DocumentaryIssue No. 204
Cinema for Claustrophiles: Virtual Reality at the Adelaide Film Festival and Beyond Words Kit MacFarlane 06 May 2019 Critical ViewsIssue No. 200
Kitchen Nightmares: What Into the Shadows Says About the Local Film Industry Words Gil Scrine 07 December 2009 Industry PerspectivesIssue No. 163
‘Enter My House Justified’: Amiel Courtin-Wilson’s Man on Earth and Assisted Suicide on Screen Words Adrian Martin 27 February 2023 DocumentaryIssue No. 215
Hidden Forces: Childhood, Commerce and Cost in Granaz Moussavi’s When Pomegranates Howl Words Kit MacFarlane 30 August 2021 Australian and New Zealand CinemaIssue No. 209
Live Performance: Acting and Adaptation in Alison Maclean’s The Rehearsal Words Anthony Carew 23 October 2017 Australian and New Zealand CinemaIssue No. 194
Out of Breath: Timely Issues and Old Gender Tropes in Seth Larney’s 2067 Words Bronwyn Lovell 10 May 2021 Australian and New Zealand CinemaIssue No. 208
Kino Therapy: Cinema Cancer and Look Both Ways Words Deb Verhoeven 10 October 2005 Critical ViewsIssue No. 146/147
In the Company of Men: Fictionalising Misogyny in Kitty Green’s The Royal Hotel Words Grace Boschetti 08 December 2023 Australian and New Zealand CinemaIssue No. 216
First Person Plural: Art and Provocation in Larissa Behrendt’s You Can Go Now Words Thomas Redwood 27 February 2023 DocumentaryIssue No. 215
Frozen in Time: Puberty Blues Forty Years On Words Guy Webster 28 February 2022 Screen EducationIssue No. 211
Lust in Space: Teenage Queerness and Connection in Samuel van Grinsven’s Sequin in a Blue Room Words Laurence Barber 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Sweet Surrender: Damon Gameau’s That Sugar Film Words Chloe Brien 27 July 2015 DocumentaryIssue No. 185
Cinema Science: Cracking the Code of The Matrix Words Dave Crewe 25 January 2021 Screen EducationIssue No. 207
Film Appraisals Words John Murray 01 July 1964 International CinemaIssue No. 1 – Issue No. 10 (Film Appreciation Newsletter vol. 1)
Muddied Waters: Risk and Reflection in Simon Baker’s Breath Words Dave Crewe 06 August 2018 Australian and New Zealand CinemaIssue No. 197
The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy Words Stephen A Russell 28 January 2020 Australian and New Zealand CinemaIssue No. 203
For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice Words Stephen A Russell 30 August 2021 DocumentaryIssue No. 209
Outback Outbreak: Yolanda Ramke and Ben Howling on Cargo and the Zombie Film Words Briony Kidd 29 January 2018 Spotlight on Genre FilmIssue No. 195