In Hot Pursuit: The Spirit of Alfred Hitchcock in Roadgames

Fighting the Future: Risk, Resistance and Rebellion in Stan’s The Commons

Time After Time: Temporality and Transcendence in Joseph London’s The Beloved

Cinema Science: Picking Up the Frequencies of The Dish

From Drag Queens to Best Men: An Interview with Stephan Elliott

Queer Controversy: Roger Ward and Sean Myers on The Set

Muted Suffering: Myopia and Missed Opportunities in Stateless

Singing One’s Story: Keeping Custom and Country in Westwind: Djalu’s Legacy

Both Your Houses: Representation and Power Relations in Total Control

Playing a Part: Neurodiversity and Self-discovery in Sex and Death

Beautiful Women and No Mirrors: Gillian Armstrong’s Women He’s Undressed

Stolen Glances: Goran Stolevski on You Won’t Be Alone and Of an Age

Women on the Verge: Haifaa Al Mansour’s The Perfect Candidate

Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave

Tough Chick: Bad Cops and Difficult Women in SBS’s Dead Lucky

Flying the Coop: An Australian Coming of Age in Careful He Might Hear You

Cinema Science: Journeying Within in Inside Out

Peer to Peer: Helping Teens Navigate Friendship in the Age of Social Media

Life on Fast Forward: Mortality and Regret in Josh Lawson’s Long Story Short

Purposeful Provocation: Auteurism and Artistry in Takashi Miike’s First Love

Variations on a Theme: Pace and Perspective in Sue Brooks’ Looking for Grace

Communal Complicity: Family and Fairness in Hirokazu Koreeda’s Shoplifters and The Third Murder

A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream

Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy

Making Visible: Out Here, Love Bites and LGBTQIA+ Documentary on the Small Screen

Swimming Through Time: Sally Aitken on Playing with Sharks: The Valerie Taylor Story

The Complexities of Confinement: Gender, Abuse and Cate Shortland’s Berlin Syndrome

Changing Tides: Karina Holden’s Blue, the Enviro-doc and Conservationism

No Spandex Required: Cleverman, Indigenous Stories and the New Superhero

Objects of Desire: The Female Body and the Male Gaze in Sirens

Renting Mums and Riling: The Career of John Safran

In the Driver’s Seat: The Relatable Radicalism of David Easteal’s The Plains

Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department

Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series

The Slap: The Heavy Hand of a Hard-hitting Drama

Clarifying the Past: Joshua Oppenheimer’s The Look of Silence

Sweet, Sour and Spicy Country: Isolation as Performance in Warwick Thornton’s The Beach

Cinema Science: Cosmic Collisions and Disaster Denialism in Don’t Look Up

Taking Flight: Deception and Impostor Syndrome in Michelle Savill’s Millie Lies Low

Musical Chairs: Perspective and ‘Heavy’ Humour in Ben Elton’s Three Summers