In Hot Pursuit: The Spirit of Alfred Hitchcock in Roadgames Words Neil Sinyard 27 February 2023 Critical ViewsIssue No. 215
Fighting the Future: Risk, Resistance and Rebellion in Stan’s The Commons Words Rebekah Brammer 04 May 2020 Screen EducationIssue No. 204
Time After Time: Temporality and Transcendence in Joseph London’s The Beloved Words Jake Wilson 30 May 2022 DocumentaryIssue No. 212
Cinema Science: Picking Up the Frequencies of The Dish Words Dave Crewe 19 October 2020 Screen EducationIssue No. 206
From Drag Queens to Best Men: An Interview with Stephan Elliott Words Thomas Caldwell 26 March 2012 Australian and New Zealand CinemaIssue No. 172
Queer Controversy: Roger Ward and Sean Myers on The Set Words Oliver Pfeiffer 25 January 2016 Industry PerspectivesIssue No. 187
Muted Suffering: Myopia and Missed Opportunities in Stateless Words Dave Crewe 10 May 2021 Beyond the Big ScreenIssue No. 208
Singing One’s Story: Keeping Custom and Country in Westwind: Djalu’s Legacy Words Lauren Carroll Harris 07 May 2018 DocumentaryIssue No. 196
Both Your Houses: Representation and Power Relations in Total Control Words Jake Wilson 03 August 2020 Beyond the Big ScreenIssue No. 205
Playing a Part: Neurodiversity and Self-discovery in Sex and Death Words Anthony Carew 03 August 2020 Beyond the Big ScreenIssue No. 205
Beautiful Women and No Mirrors: Gillian Armstrong’s Women He’s Undressed Words Mel Campbell 25 January 2016 DocumentaryIssue No. 187
Stolen Glances: Goran Stolevski on You Won’t Be Alone and Of an Age Words Stephen A Russell 27 February 2023 FreeAustralian and New Zealand CinemaIssue No. 215
Women on the Verge: Haifaa Al Mansour’s The Perfect Candidate Words Anthony Carew 30 August 2021 Focus on Asia and the Middle EastIssue No. 209
Open Investigations: Love and Obsession in Park Chan-wook’s Decision to Leave Words Anthony Carew 27 February 2023 Focus on Asia and the Middle EastIssue No. 215
Tough Chick: Bad Cops and Difficult Women in SBS’s Dead Lucky Words Aimee Knight 29 January 2019 Beyond the Big ScreenIssue No. 199
Flying the Coop: An Australian Coming of Age in Careful He Might Hear You Words Jarrod Sturnieks 30 May 2022 Critical ViewsIssue No. 212
Cinema Science: Journeying Within in Inside Out Words Dave Crewe 29 November 2021 Screen EducationIssue No. 210
Peer to Peer: Helping Teens Navigate Friendship in the Age of Social Media Words Catherine Manning 03 August 2020 Screen EducationIssue No. 205
Life on Fast Forward: Mortality and Regret in Josh Lawson’s Long Story Short Words Travis Johnson 30 August 2021 Australian and New Zealand CinemaIssue No. 209
Purposeful Provocation: Auteurism and Artistry in Takashi Miike’s First Love Words Dave Crewe 03 August 2020 Focus on Asia and the Middle EastIssue No. 205
Variations on a Theme: Pace and Perspective in Sue Brooks’ Looking for Grace Words Zoë Wallin 09 May 2016 Australian and New Zealand CinemaIssue No. 188
Communal Complicity: Family and Fairness in Hirokazu Koreeda’s Shoplifters and The Third Murder Words Anthony Carew 29 January 2019 Focus on Asia and the Middle EastIssue No. 199
A Race to the Goal: Adam Goodes’ Story in The Final Quarter and The Australian Dream Words Travis Johnson 28 January 2020 DocumentaryIssue No. 203
Up in Smoke: Eva Orner on Burning and the Failure of Australian Climate Policy Words Stephen A Russell 28 February 2022 DocumentaryIssue No. 211
Making Visible: Out Here, Love Bites and LGBTQIA+ Documentary on the Small Screen Words Kim Munro 19 October 2020 DocumentaryIssue No. 206
Swimming Through Time: Sally Aitken on Playing with Sharks: The Valerie Taylor Story Words Oliver Pfeiffer 30 August 2021 Australian and New Zealand CinemaIssue No. 209
The Complexities of Confinement: Gender, Abuse and Cate Shortland’s Berlin Syndrome Words Glenn Dunks 23 October 2017 Australian and New Zealand CinemaIssue No. 194
Changing Tides: Karina Holden’s Blue, the Enviro-doc and Conservationism Words Glenn Dunks 07 May 2018 DocumentaryIssue No. 196
No Spandex Required: Cleverman, Indigenous Stories and the New Superhero Words Cavan Gallagher 24 October 2016 Beyond the Big ScreenIssue No. 190
Objects of Desire: The Female Body and the Male Gaze in Sirens Words Myke Bartlett 30 May 2022 Screen EducationIssue No. 212
Renting Mums and Riling: The Career of John Safran Words Dave Hoskin 08 March 2010 Beyond the Big ScreenIssue No. 164
In the Driver’s Seat: The Relatable Radicalism of David Easteal’s The Plains Words Glenn Dunks 08 August 2022 Australian and New Zealand CinemaIssue No. 213
Holding on to Hope: Love, Pain and Child Protection in Sascha Ettinger-Epstein’s The Department Words Hanna Schenkel 28 February 2022 DocumentaryIssue No. 211
Watch List: Melbourne WebFest 2019 and the Continued Rise of Web Series Words Kim Munro 28 January 2020 Beyond the Big ScreenIssue No. 203
The Slap: The Heavy Hand of a Hard-hitting Drama Words Kit MacFarlane 05 December 2011 Beyond the Big ScreenIssue No. 171
Clarifying the Past: Joshua Oppenheimer’s The Look of Silence Words Hanna Schenkel 19 October 2015 DocumentaryIssue No. 186
Sweet, Sour and Spicy Country: Isolation as Performance in Warwick Thornton’s The Beach Words Kenta McGrath 19 October 2020 Beyond the Big ScreenIssue No. 206
Cinema Science: Cosmic Collisions and Disaster Denialism in Don’t Look Up Words Dave Crewe 08 August 2022 FreeScreen EducationIssue No. 213
Taking Flight: Deception and Impostor Syndrome in Michelle Savill’s Millie Lies Low Words Alexandra Heller-Nicholas 29 November 2022 Australian and New Zealand CinemaIssue No. 214
Musical Chairs: Perspective and ‘Heavy’ Humour in Ben Elton’s Three Summers Words Elizabeth Flux 07 May 2018 Australian and New Zealand CinemaIssue No. 196