Dark Dresses, Problematic Pleasures: Mobility and Nostalgia in Bruce Beresford’s Ladies in Black

Finding Home in a Daydream: Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling

Notes from the Underground: Guerrilla Filmmaking in Australia

In the Name of the Father: Indoctrination and Revolt in Ariel Kleiman’s Partisan

A Stealthy Revolution: Tradition and Destabilisation in Ousmane Sembéne’s Moolaadé

Bird’s-eye View: Childhood, Grief and Community in Emu Runner

Documenting the Self: Art, Celebrity and Storytelling in 20,000 Days on Earth

It’s Still Life: Abbas Kiarostami’s 24 Frames

Mother Tongue: She Who Must Be Obeyed Loved and Aboriginal Women’s Stories

Revenge of the Cheese Grater: Housebound and the Domestic Horror-Comedy

Out for Blood: Identity, Colonialism and Vampires in Firebite

Down and Out for Down Under: Critiquing Race Representation in Abe Forsythe’s Satire

Giving Time: Richard Todd’s Dying to Live and Organ Donation

Making Change: The Australian Women’s Liberation Movement in Catherine Dwyer’s Brazen Hussies

Welcome to Television: Philip Brady on In Melbourne Tonight and Australia’s Early Variety Shows

Silence Is a Virtue: Dr Plonk and Passio

Moving Forward in Circles: Repetition and Reflection in Hong Sang-soo’s Grass

Performance, Transgression and Transformation: Angie Black’s The Five Provocations

Making Waves in a Man’s World: Jane Campion’s Women in The Piano and Top of the Lake: China Girl

Film Teaching: A Polemical Introduction

Kicking the Door Down: Lessons from the Women in Screen Workshop

Dreams for Life: An Independent Success Story

Unfolding Disaster: Reliving Black Summer in Eddie Martin’s Fire Front

Hogan’s Heroes: Star Image in Dean Murphy’s The Very Excellent Mr. Dundee

Horror and Gore, Honour and Glory: Hacksaw Ridge and the War Film

Remembering Resistance: Class Politics and Amanda King’s The Great Strike 1917

Sympathy for the Devil Gathers No Moss: Revisiting Godard’s Documentary Masterpiece

Stealing Time: Fatherhood, the ‘Third Space’ and Sam Voutas’ King of Peking

Declaration of War: George Gittoes on Violence and Community Resilience in White Light

‘New Rivers Spin Inside’: Women and Witchcraft in Goran Stolevski’s You Won’t Be Alone

Hell Hath No Fury: Tony D’Aquino, Andrew Marriott and Lisa Shaunessy on The Furies

The Patriarchy Laid Bare: Ukraine Is Not a Brothel

Destructive Pasts, Hopeful Possibilities: The Simulated Environment in Awavena and Did You Ask the River?

Band Apart: Music, Memory and Kriv Stenders’ The Go-Betweens: Right Here

One Hand Clapping: The TV Documentaries of John Pilger

‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence

Outback Ethnography: Revisiting Fred Zinnemann’s The Sundowners

Poetry in Action: Racism and Resistance in Partho Sen-Gupta’s Slam

What Will You Do with Your OtherLife?: Sci-fi, Subjectivity and Technology

Open Wound: Excavating Exploitation in Eddie Martin’s The Kids