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Darkness in the Spotlight: Binaries and Brutality in Zhang Yimou’s Shadow
Hearts Adrift: Revisiting Gillian Armstrong’s High Tide
Breaking the Waves: Defeating Discrimination in Christopher Nelius’ Girls Can’t Surf
Distant Memories: Grief and Childhood in Li Dongmei’s Mama
Honey, I Hid the Kids! Caring for Professional Parents
Songlines on Screen: Naina Sen’s The Song Keepers and Aboriginal Histories
Different Ball Game: Damian Callinan on Sport, Community and The Merger
Rays of Desire: Queer Time in Katie Found’s My First Summer
Welcoming Intercourse: Luke Warm Sex and the Importance of Sexual Discourse
Aural Reflections: Music, Self and Objectivity in Now Sound: Melbourne’s Listening and Her Sound, Her Story
Australian Gothic: To Have and To Hold
Greener Pastures: Tradition and Modernity in Grace McKenzie’s In the Land of the Wolves
Teaching Film: A Hard Look at Soft Porn
Something in the Dark: The Tale of Ruby Rose and the Tasmanian Gothic
Silent Scars: Seeking Restitution in Tori Garrett’s Don’t Tell
Performing Truth: The Films of Ryūsuke Hamaguchi
Modern Love: Hirokazu Koreeda’s Like Father, Like Son
Spectres of the Past: Necropolitics and Colonial Trauma in Dark Place
Rhetoric and Reminiscence: Graham Freudenberg, Political Memory and The Scribe
Smoke and Mirrors: Midi Z’s Nina Wu and the Cinema of Self-reflection
PACmentality: Luke Walker on American Politics and Observational Documentary
Heavy Here and Now: Alena Lodkina’s Strange Colours
Staying Afloat: Tyler Atkins on Bosch & Rockit
Cutting Through the Chanbara Film: Takashi Miike’s Blade of the Immortal
Left in the Darkness: Night
Monica Pellizzari: Between Two Worlds
Jumping Hurdles: Rehabilitation, Reconnection and Catherine Scott’s BackTrack Boys
The Inside Story: The Inside Story of a Successful First Feature – An Interview with Robert Sutherland
Melrose Place
Emotional Fidelity: True Crime and Misogyny in Ali Abbasi’s Holy Spider
Portrait of a Man Condemned: Matthew Sleeth’s Guilty
Cinema Science: Surveying the Landscape of Dune
The Quota Quandary for Australian Television
Haunted by Questions Unanswered: Rosie Jones’ The Family
All at Sea: Confronting Exclusion in Ili BarĂ©’s The Leadership
Breaching Bounds: The Confronting Body in Miranda Nation’s Undertow
Boy, Interrupted: Teenage Kicks and Queer Authenticity
An Independent Vision: An Interview with Rolf de Heer
