Lady Killers: Hounds of Love, Horror and Violence Against Women
Words Dave Crewe
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Lady Killers: Hounds of Love, Horror and Violence Against Women
Dog Day, Every Day: Gillian Leahy’s Baxter and Me and the Essay Film
Words Adrian Martin
Romper Stomper
Words Karl Quinn
Gandhi: Interview – Ben Kingsley
Words Tricia Nilvor, Helen Kon
Cinema Science: Deconstructing the Machinery of the Mad Max Films
Words Dave Crewe
Sounds of Loss: Time and Displacement in Allison Chhorn’s The Plastic House
Words Susan Bye
After the Lockdowns, Is TV Still Reminding Us of What We Needed?
Words Liz Giuffre
‘Horrible Imaginings’: Playing with Form in The Tragedy of Macbeth
Words Annika Morling
Quiet Night Thoughts: Warped Time in Three Asian Arthouse Films
Words Jessica Kiang
Everyday Longing: City Life in Winter of Our Dreams and Lonely Hearts
Words Suzie Gibson, Dean Biron
Enduring Loss: JJ Winlove’s June Again and Dementia on Screen
Words David Michael Brown
Free Country: Colonial Incursions in Stephen Maxwell Johnson’s High Ground
Words Nicholas Godfrey
Umbilical Fears: Jennifer Kent’s The Babadook
Words Briony Kidd
Ghost House: Rewriting the ‘Haunted’ Narrative in Florian Habicht’s Spookers
Words Stephen A Russell
Bad Blood and Bitterness: Colonisation and the Western in Warwick Thornton’s Sweet Country
Words Nicholas Godfrey
Out of the Trenches: Kriv Stenders on Danger Close: The Battle of Long Tan and Revisiting History
Words Oliver Pfeiffer
Ashes of Time, Rivers of Return: Jia Zhang-Ke’s Ash Is Purest White
Words Nicholas Godfrey
Infectious Scrolling: Social Media, Mental Health and COVID-19
Words Adolfo Aranjuez
Cinema’s About-turn: Tim Winton’s The Turning
Words Tara Judah
Sisters Doing It for Themselves: Deniz Gamze Ergüven’s Mustang
Words Sarah Ward
Such Is My Love: Rhys Graham’s Galore
Words Sarinah Masukor
‘What a Way to Make a Living’: Commodified Identity in Gracie Otto’s Seriously Red
Words Mel Campbell
Signs and Wonders: Bringing The Luminaries to Screen
Words Anthony Carew
Recurring Nightmares: Dark Australian Classics Reimagined
Words Stephen A Russell
Film à la Mode: Juxtaposing East and West in Yellow Is Forbidden
Words Rebekah Brammer
Question Time: A Conversation with the Spierig Brothers About Predestination
Words Dave Hoskin
Scars of Time: Guilt and Forgiveness in Wang Xiaoshuai’s So Long, My Son
Words Dave Crewe
Dog Years: Reticence and Reform in Kriv Stenders’ Red Dog: True Blue
Words Dave Hoskin
Portrait of the Artist: Sue Clothier Discusses James Bogle’s Whiteley
Words Jasmine Crittenden
Stark Lives, Stark Lens: Restlessness and Realism in Brillante Mendoza’s Ma’ Rosa
Words Sarah Ward
Searching for Home: Ainsley Gardiner and Briar Grace-Smith’s Cousins
Words Danica van de Velde
Rebel on the Screen: Mike Retter on Youth on the March
Words Anthony Nocera
Full Stream Ahead Against Piracy
Words Glenn Dunks
The Drive to Succeed: Outrunning the Legacy of Brabham
Words Travis Johnson
FAQs
Introduction
Words John Murray
To Hell with Elevation: Ritual, Power and Transformation in Talk to Me
Words Alexandra Heller-Nicholas
Newsfront: The Aussie Battler
Words Barbara Boyd
Their Time in Memorial: Nickolas Bird and Eleanor Sharpe’s Remembering the Man
Words Laurence Barber
Past Refractions: Anocha Suwichakornpong’s By the Time It Gets Dark
Words Laurence Barber