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In the Crease: Self-referential Storytelling in Ted Wilson’s Under the Cover of Cloud
Age of Acceptance: Community and Inclusion in Sue Thomson’s The Coming Back Out Ball Movie
‘Now You’re at Home’: The Power of Music in Macario De Souza’s 6 Festivals
All That Glitters: Anthony Hayes on Gold
Starting Afresh: Trauma and Compassion in Lachlan McLeod’s Clean
Getting a Second Opinion: Mairi Cameron on Truth and Trickery
Tearing Out a New Leaf: Book Week and the Unlikeable Protagonist
Playing Pretend: Shifting Roles in Sara Kern’s Moja Vesna
Against the Clock: Hugh Sullivan’s The Infinite Man
Sin City: Diaspora, Displacement and Matthew Victor Pastor’s Melodrama / Random / Melbourne
Authentic Depictions: Julie Kalceff and Ana Kokkinos on Here Out West
Uneven Playing Field: How Digital Platforms Hurt Indie Games
Penning with Pride
Dances with Genre: Mystery Road
Australian Mythology: The Selective Celebration of Rachel Griffiths’ Ride Like a Girl
A Neoliberal Spin: Management and Masculinity in Stephen Mccallum’s 1%
Confession Space: Danny Cohen and Courtney Barnett on Anonymous Club
The Good, the Bad and The Proposition
Launching The Rocket: Beyond the Typical Australian Film
Australian Spirit: Love and Country Music in Kriv Stenders’ Slim and I
Pantomime of Violence: Gender and Outrage in Mirrah Foulkes’ Judy & Punch
‘The Stars Are All Strange Here’: Cultural Memory and Forgetfulness in Roderick MacKay’s The Furnace
Bodies in Tension: Movement and Friction in Rebecca Tansley’s The Heart Dances – The Journey of The Piano: the ballet
Melbourne Plays Itself
Haunting Portraits: Intimacy and Identity in Alena Lodkina’s Petrol
Advocacy Meets Analysis: Metro and Documentary
Mending Fences: Animosity and Adaptation in Jeremy Sims’ Rams
Conflict in Representation: Hussein Hassan’s The Dark Wind and the Plight of the Yazidis
Hitting the Ceiling: Barriers to Growth in the Australian Games Industry
A Story of Man and Country: Sera Davies’ Namatjira Project
Hierarchies of Horror: The Violent Refrains of Jennifer Kent’s The Nightingale
The Pen Is Mightier than the Gun: Justin Kurzel’s True History of the Kelly Gang and Punk Historiography
The Winding Road Home: Kaye Harrison on Displacement, Detention andd Sanctuary
A Light in the Dark: Nel Minchin on Firestarter – The Story of Bangarra
When Fire Turns to Frost: Decay and Detachment in Early Winter
Future Projection: The Emotional Landscape of Ivan Sen’s Loveland
Seeing Through the Disguise: Leigh Whannell’s The Invisible Man
