Laughing with Us: Black Comedy and Aboriginal Humour

Locating Lore: An Interview with Cate Shortland and Liz Watts

‘Look Around’ Viewing: Virtual Reality at Sydney Film Festival 2017

Picnic at Hanging Rock: Some Impressions, Historical and Cultural

The Wizards of Oz: Behind the Scenes of Not Quite Hollywood

Bird’s-eye View: Glendyn Ivin on Chance and Nature in Penguin Bloom

Unearthly Terror: The Unconventional Horror of Kiyoshi Kurosawa’s Foreboding

The Past Flows into the Future: Kasimir Burgess’ Franklin

Mental-health Crisis in the Screen Industries

Digitising Our Heritage: Patrick McIntyre on the NFSA’s Funding Boost

Animating History: The Holocaust and Its Echoes in Where Is Anne Frank

Valley of Iniquity: Escaping Subjugation in Gloriavale

A Life in Chains: Servant or Slave and Aboriginal Subjugation

Stolen Lives: Confronting the Past in Allan Clarke’s The Bowraville Murders

Dying a Woman With Dignity: Becoming Colleen and Late-life Gender Transition

Blood Feuds and Bloodlands: Steven Kastrissios’ Albanian Horror-Fantasy

The View from the Shore: Healing Through Songline in Steven McGregor’s Looky Looky Here Comes Cooky

Water off a Doug’s Back

There’s a Lot Going On in Australia: Baz Luhrmann’s Claim to the Epic

Metro in the 1970s

Ties That Bind: Kriv Stenders’ Australia Day and the Problems of Patriotism

Period Drama: A Turning Red Study Guide

Witness Born: Joe Cinque’s Consolation, Adaptation and Embodied Film Theory

The Tyranny of the Unspoken: The Silences, Autoethnography and Mental Health

Brief Candle: Jonathan Alley’s Love in Bright Landscapes: The Story of David McComb of The Triffids

Off Camera

Singing into the Void: Dreams, Delusion and Fame in Matthew Walker’s I’m Wanita

Everybody’s Still Kung-fu Fighting: Serge Ou’s Iron Fists and Kung Fu Kicks

Notes on the Significance of Home & the Past in Radiance

Land of Lost Content: Finding a Way Through Walkabout

Landscape of Silence: Sound Design in the Films of Warwick Thornton

Gathering Clouds: Tension and Revelation in Ashley Harris’ How Do You Know Chris?

Be Careful What You Wish for: Makoto Shinkai’s Your Name

When Live Venues Become Screen Hubs: The Sydney Opera House Goes Online

Bringing the World to Australia: Benjamin Zeccola on Palace Cinemas’ Global Festival Slate

Cinematic Devices: Darcy Yuille on One Punch and Using Everyday Technology to Advantage

Short Films Given Short Shrift?

Moving Targets: Snapshots of Representation

Screen Forever Creche Is a Game Changer

Winter of Discontent: The Pensive Theatre of Nuri Bilge Ceylan’s Winter Sleep