Fragmented Feelings: Matthew Victor Pastor’s The Neon Across the Ocean Words Nicholas Godfrey 30 August 2021 Australian and New Zealand CinemaIssue No. 209
Peonies of Pyongyang: Women in North Korean Cinema Words Julia Mayer 22 October 2018 Focus on Asia and the Middle EastIssue No. 198
Bathing in Genre: Homage and Experimentation in Parish Malfitano’s Bloodshot Heart Words Dave Crewe 25 January 2021 Australian and New Zealand CinemaIssue No. 207
Phase Change: Apichatpong Weerasethakul’s Cemetery of Splendour Words James Robert Douglas 09 May 2016 Focus on Asia and the Middle EastIssue No. 188
An Acquired Taste: Warwick Ross and Rob Coe on Blind Ambition Words Oliver Pfeiffer 08 August 2022 DocumentaryIssue No. 213
Too Close to Home: Nuclear Nightmares in Jeff Daniels’ Television Event Words Eileen Jones 28 February 2022 DocumentaryIssue No. 211
Mechanisms of Control: Yaara Bou Melhem on Unseen Skies Words Anthony Carew 08 August 2022 DocumentaryIssue No. 213
Lives Adrift: Julian Burnside and Judy Rymer on Border Politics Words Anders Furze 22 October 2018 DocumentaryIssue No. 198
Mirror Image: Thomas M Wright on The Stranger Words Anthony Carew 27 February 2023 FreeAustralian and New Zealand CinemaIssue No. 215
Echoes of Tradition: Paul Williams’ Elegy for Geoffrey Gurrumul Yunupingu Words Felicity Ford 06 August 2018 DocumentaryIssue No. 197
The Art of Meta-morphosis: Julian Rosefeldt’s Manifesto Words Gabrielle O'Brien 07 May 2018 Critical ViewsIssue No. 196
For Richer or Poorer: Marriage, Market Economics and Olivia Martin-McGuire’s China Love Words Lauren Carroll Harris 22 October 2018 DocumentaryIssue No. 198
Romancing the Stone: Outback Adventures of a Different Kind in Japanese Story Words Rose Capp 15 September 2003 Australian and New Zealand CinemaIssue No. 138
The Fullness of Time: The Anime Films of Mamoru Hosoda Words Anthony Carew 07 August 2017 Focus on Asia and the Middle EastIssue No. 193
Fragments and Textures: Memory and the City in Zheng Lu Xinyuan’s The Cloud in Her Room Words Danica van de Velde 30 August 2021 FreeFocus on Asia and the Middle EastIssue No. 209
Laughter Through Tears: Palestine and Self-portraiture in the Films of Elia Suleiman Words Anthony Carew 19 October 2020 Focus on Asia and the Middle EastIssue No. 206
Dawn of the Dad: Masculinity and Maturity in Abe Forsythe’s Little Monsters Words Mel Campbell 28 January 2020 Australian and New Zealand CinemaIssue No. 203
Smashing Barriers to Entry: Screen Australia’s Drama-development Funding Overhaul Words Rochelle Siemienowicz 06 August 2018 Scope: Screen Industry ViewsIssue No. 197
Hip-hop of a Different Hue: Cultural Appreciation and Identification in Oscar Kightley’s Dawn Raid Words CJ Johnson 10 May 2021 DocumentaryIssue No. 208
Unfinished Business: Fame, Mythology and Kasimir Burgess’ The Leunig Fragments Words Nadine Whitney 03 August 2020 DocumentaryIssue No. 205
On the Precipice: Real and Unreal Worlds in Wakefield Words Rebekah Brammer 29 November 2021 Beyond the Big ScreenIssue No. 210
Forever Young: Music and Mystery in Sam Zubrycki’s Miguelito: Canto a Borinquen Words Jasmine Crittenden 19 October 2020 DocumentaryIssue No. 206
Sense and Serendipity: David Wenham’s Ellipsis Words Tara Judah 07 May 2018 Australian and New Zealand CinemaIssue No. 196
Lingering Notes: A Song Cycle Remembered in Philippa Bateman’s Wash My Soul in the River’s Flow Words Barnaby Smith 08 August 2022 DocumentaryIssue No. 213
‘Don’t Do It Again’: Hearing, Seeing and Deep Listening in After the Apology Words Aimee Knight 07 May 2018 DocumentaryIssue No. 196
Unlucky Country: Malediction and Middle-class Malaise in James Vaughan’s Friends and Strangers Words Eileen Jones 29 November 2021 Australian and New Zealand CinemaIssue No. 210
The Pelican Brief: The Shallow Reflections of Shawn Seet’s Storm Boy Words Jake Wilson 29 January 2019 Australian and New Zealand CinemaIssue No. 199
Cathartic Moves: Competition and Community in Luke Cornish’s Keep Stepping Words Debbie Zhou 29 November 2022 DocumentaryIssue No. 214
Trash and Treasure: Mitch McTaggart on Reviewing Australia on the Small Screen Words Liz Giuffre 30 May 2022 Scope: Screen Industry ViewsIssue No. 212
Film Appreciation – A New Approach Words MC Sevior 05 October 1964 Media EducationIssue No. 1 – Issue No. 10 (Film Appreciation Newsletter vol. 1)
Hard Pill to Swallow: Vitamania and the Science Behind Supplements Words Matilda Dixon-Smith 29 January 2019 Beyond the Big ScreenIssue No. 199
Goodbye Neighbours; Hello Reality Words Cameron Williams 29 November 2022 Scope: Screen Industry ViewsIssue No. 214
Lovesick: Bill Mousoulis and the ‘Outside World’ Words Maximilian Le Cain 02 December 2002 Australian and New Zealand CinemaIssue No. 135
Homeward Bound: The Perils of Duty and Palestinian Society in Annemarie Jacir’s Wajib Words Dave Crewe 22 October 2018 Focus on Asia and the Middle EastIssue No. 198
Darkness Calls: Robert Nugent’s Night Parrot Stories and Contemporary Documentary Making Words Lauren Carroll Harris 23 October 2017 DocumentaryIssue No. 194
Tragedy and Levity: Philippe Mora, Family History and Monsieur Mayonnaise Words Lauren Carroll Harris 07 August 2017 DocumentaryIssue No. 193
Kiss Me Deadly: Robbie Studsor on Blowing a Burning Kiss to Film Noir Words Oliver Pfeiffer 05 August 2019 Australian and New Zealand CinemaIssue No. 201
The Sense of Being Somewhere: Mind at War, Thalu: Dreamtime Is Now and the Rise of Virtual Reality Words Kim Munro 29 January 2019 Critical ViewsIssue No. 199