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A Fetching Achievement
Marching Through Time: Māori History, Biographical Filmmaking and Whina
Setting the Record Straight: Greg Carey and Wade Jackson’s Waiting: The Van Duren Story
Poetry in Pieces: The Carnal and the Divine in Michael Lee’s The Mystical Rose
Creativity in Confinement: Artistic Expression as Redemption in Alex Siddons’ The Art of Incarceration
Forged by Fire: Food, Family and Culture in Matthew Salleh’s Barbecue
Telling the Truth: Robert Connolly on Making Balibo
Another Day in Paradise: Sex Tourism and Colonialism in Bangkok Nites
Turning the Lens: Looking and Reliving in Hong Sang-soo’s Claire’s Camera
‘Permission to Operate Independently’: Upgrade and the Body-machines of Action Cinema
People in Media: Natalie Miller
Living Archive: The Karrabing Film Collective at Berlinale 2017
Birth Control: Nanfu Wang and Jialing Zhang’s One Child Nation
Making Peace: Resignation, the Road Movie and Kirsten Tan’s Pop Aye
As Long as You Love Me: Jessica Leski’s I Used to Be Normal: A Boyband Fangirl Story
Spinning Tales: Myth and Magic in George Miller’s Three Thousand Years of Longing
Precious Time: Family Life and Togetherness in Sari Braithwaite’s Because We Have Each Other
Maternal Instinct: Genre, Grief and Mental Illness in Kim Farrant’s Angel of Mine
Judge, Jury and Executioner: Voyeurism and Vigilantism in Alex Roberts and Daniel Leclair’s The Meddler
Lolita: Neither Heard nor Seen
Bodies on the Line: Sally Ingleton’s Wild Things and Australian Environmental Documentary
Creation, Care and Country: Penelope McDonald on Audrey Napanangka
Looking to Spring: Fear and Regeneration in Noora Niasari’s Shayda
Balancing Acts: Ivan Sen’s Goldstone and Outback Noir
Poetry of the Night: The Noir Trappings Of Diao Yinan’s The Wild Goose Lake
Salt of the Earth: Virtue and Vengeance in Mohammad Rasoulof’s A Man of Integrity
Too Far North: The Self-serving Cinema Vérité of Atlantis, Iceland
Refracting Ramingining: Still Our Country – Reflections on a Culture
Room to Move: Amiel Courtin-Wilson’s The Silent Eye
Sexual Healing: Feminism, Porn and Self-acceptance in Morgana
Burning Down the House: Winchester and the Truth About Ghosts
A New Era for Australian Arts Funding – or a False Dawn?
Stand-up on the Small Screen
Twisted Sisters: Invention and Isolation in Foxtel’s Lambs of God
What Have the ABC Archives Ever Done for Us?
The Myth of the Ocean, the Reality of Water: Robert Connolly and Radha Mitchell on Blueback
Through the Window: The Trap of Curiosity in Rachel Perkins’ Jasper Jones
Film Podcasting: One for the Fans
