‘It’s in Films That I Try to Say Everything’: Andrei Tarkovsky on Women, Spirituality and the Autonomy of the Filmmaker
Words Irena Brežná, Phoebe Pua
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‘It’s in Films That I Try to Say Everything’: Andrei Tarkovsky on Women, Spirituality and the Autonomy of the Filmmaker
A Stealthy Revolution: Tradition and Destabilisation in Ousmane Sembéne’s Moolaadé
Words Hamish Ford
Bearing Witness: Black Lives Matter Protests as Media, and Mediated, Event
Words Steven Aoun
Warwick Thornton and Kath Shelper on Making Samson and Delilah
Words Thomas Redwood
A Dense Web of Relationships: How Film Culture Sustains the Screen Industries
Words Anne Rutherford
Counterfeit Images: A History of Blackface on Australian Television
Words Stephen Vagg
Alvin Purple
Words Alexandra Heller-Nicholas
‘The Show Must Go On’: Transgression and the Carnivalesque in Moulin Rouge!
Words Adolfo Aranjuez
Entangled Lives: Trauma, Attachment and Survival in My Brilliant Friend and Pachinko
Words Steven Aoun
Sounding ‘Unstable Terrain’ in Peter Weir’s Picnic at Hanging Rock
Words Johnny Milner
Shame
Words Alexandra Heller-Nicholas
Taking Shakespeare Slam-Dancing: Re-Viewing William Shakespeare’s Romeo + Juliet
Words Lucy Hamilton
Fast and Furious Filmmaking: YouTube’s Prospects for Budding and Veteran Screen Content Producers
Words Guy Healy
Reframing the Past: The Emotional Histories of Raoul Peck and Adam Curtis
Words Steven Aoun
War Stories: Media Coverage of the Russian Invasion of Ukraine
Words Steven Aoun
Out of the Frying Pan: Screen Australia and the Producer Offset
Words Glenda Hambly
Stoking the Fire: The Rousing Fictions of RRR
Words Steven Aoun
Telling Our Love Story: AIDS, Adaptation and Neil Armfield’s Holding the Man
Words Dion Kagan
You and Me Against the World: Revisiting Puberty Blues
Words Lesley Speed
Poetry in Pieces: The Carnal and the Divine in Michael Lee’s The Mystical Rose
Words Adrian Martin
Intimacy and Betrayal: A Study Guide on The Hunting
Words Catherine Manning
World Without a Map: The Flattening Perspective of Jennifer Peedom’s River
Words Kenta McGrath
Fish in and Out of Water: The Embodied Erotics of Class and Sport in Barracuda
Words Dion Kagan
Howling III: The Marsupials
Words Alexandra Heller-Nicholas
Long Way Home: Ben Lawrence and Gabriel Shipton on Ithaka and the Campaign to Free Julian Assange
Words David Heslin
People Are the Opposite of Silence
Words Kent Jones
‘Mixed Up with Other People’s Dreams’: The Tangled Webs of Time in Summer
Words David Heslin
Australian Gothic: To Have and To Hold
Words Geoff Mayer
Hard Times and Ordinary Lives: Warehouse Work on the Big Screen
Words Susan Bye
Hidden Treasures: Adolescent Adventures in Dora and the Lost City of Gold: A live-action reboot of the popular children’s TV series Dora the Explorer, James Bobin’s film ages up its protagonists and places them within a high-stakes adventure narrative. By pairing familiar characters with high school dramas and issues surrounding exploration and cultural sensitivity, the film provides plenty of conversation starters for an upper primary and junior secondary audience who may have enjoyed the show in younger years, writes Carolyn Leslie.
Words Carolyn Leslie
Alien in Australia: Science Fiction, Refugee Politics and The Stranger
Words Kit MacFarlane
Suburban Fragments: Community and Bricolage in Tim Barretto’s Bassendream
Words Kenta McGrath
Hitting Home: Violence and Morality in Mr Inbetween
Words Steven Aoun
Cinema’s New Waves: An Interview with Albie Thoms
Words Keith Beattie
I’m Not There: The Future of the Musical Biopic
Words Penny Spirou
Romance, Fantasy and Female Sexuality in Feeling Sexy
Words Lisa French
Flies on the Locker-room Walls: The Managed Candour of Making Their Mark
Words Kenta McGrath
Dreams and Nightmares: The Animated Worlds of Satoshi Kon
Words Anthony Carew
The Simpsons: Culture, Class and Popular TV
Words Terry Flew
At the Threshold of Revival: Australian Cinema and the Moment of 2000 Weeks
Words Peter Galvin