We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King
Words Anthony Carew
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We Unhappy Few: Muddy Morality and Ugly Truth in David Michôd’s The King
Aspirational Delight: The Bland Fantasies of Renée Webster’s How to Please a Woman
Words Mel Campbell
Time After Time: Temporality and Transcendence in Joseph London’s The Beloved
Words Jake Wilson
The Price of Fish: Slavery and Social Responsibility in Rodd Rathjen’s Buoyancy
Words Stephen A Russell
Romper Stomper
Words Karl Quinn
Out for Blood: Identity, Colonialism and Vampires in Firebite
Words Juliette Salom
Quiet Night Thoughts: Warped Time in Three Asian Arthouse Films
Words Jessica Kiang
Heavy Here and Now: Alena Lodkina’s Strange Colours
Words Adrian Martin
Finding the Rhythm: Ambition and Responsibility in Dingo
Words Cavan Gallagher
Searching for Home: Ainsley Gardiner and Briar Grace-Smith’s Cousins
Words Danica van de Velde
Horror and Gore, Honour and Glory: Hacksaw Ridge and the War Film
Words Elizabeth Flux
Dog Day, Every Day: Gillian Leahy’s Baxter and Me and the Essay Film
Words Adrian Martin
Staying Afloat: Tyler Atkins on Bosch & Rockit
Words Oliver Pfeiffer
Uneasy Transition: The City Documented in Hong Kong Moments and Many Undulating Things
Words Anthony Carew
Remembering Resistance: Class Politics and Amanda King’s The Great Strike 1917
Words Barnaby Smith
Laughter Through Tears: Palestine and Self-portraiture in the Films of Elia Suleiman
Words Anthony Carew
Signs and Wonders: Bringing The Luminaries to Screen
Words Anthony Carew
Pantomime of Violence: Gender and Outrage in Mirrah Foulkes’ Judy & Punch
Words Anthony Carew
Hearts Adrift: Revisiting Gillian Armstrong’s High Tide
Words Suzie Gibson, Dean Biron
From Drag Queens to Best Men: An Interview with Stephan Elliott
Words Thomas Caldwell
‘Are You Not Entertained?’: Maziar Lahooti’s Below and the Morality of Pay-per-view Violence
Words Mel Campbell
Scars of Empathy: The ABC’s Pulse and the Medical Drama
Words Kylie Maslen
The Tyranny of the Unspoken: The Silences, Autoethnography and Mental Health
Words Kit MacFarlane
For Whom the Bell Tolls: Cathy Henkel and Sam Lara on Saying Goodbye in Laura’s Choice
Words Stephen A Russell
Their Time in Memorial: Nickolas Bird and Eleanor Sharpe’s Remembering the Man
Words Laurence Barber
‘The Stars Are All Strange Here’: Cultural Memory and Forgetfulness in Roderick MacKay’s The Furnace
Words Jessica Kiang
Bodies on the Line: Sally Ingleton’s Wild Things and Australian Environmental Documentary
Words Belinda Smaill
The Inside Story: The Inside Story of a Successful First Feature – An Interview with Robert Sutherland
Words Emma Flanagan
Film Teaching: A Polemical Introduction
Words Geoff Mayer
My Brilliant Career
Words Mary Kenneally
Lingering Notes: A Song Cycle Remembered in Philippa Bateman’s Wash My Soul in the River’s Flow
Words Barnaby Smith
Communal Complicity: Family and Fairness in Hirokazu Koreeda’s Shoplifters and The Third Murder
Words Anthony Carew
Musical Chairs: Perspective and ‘Heavy’ Humour in Ben Elton’s Three Summers
Words Elizabeth Flux
Gandhi: Interview – Ben Kingsley
Words Tricia Nilvor, Helen Kon
Making Waves in a Man’s World: Jane Campion’s Women in The Piano and Top of the Lake: China Girl
Words Sam van Zweden
Setting the Record Straight: Greg Carey and Wade Jackson’s Waiting: The Van Duren Story
Words Barnaby Smith
Greener Pastures: Tradition and Modernity in Grace McKenzie’s In the Land of the Wolves
Words Gabrielle O'Brien
Balancing Acts: Ivan Sen’s Goldstone and Outback Noir
Words Greg Dolgopolov
Sense and Serendipity: David Wenham’s Ellipsis
Words Tara Judah
Bad Blood and Bitterness: Colonisation and the Western in Warwick Thornton’s Sweet Country
Words Nicholas Godfrey